DAX J za Onlyclubbing: Spremite se za Dax J 2.0 zvuk!

DAX J za Onlyclubbing: Spremite se za Dax J 2.0 zvuk!

Imali smo veliku čast da uradimo intervju sa jednom od zvezdi ovogodišnjeg Exit Festivala. Sa dečkom koji je poslednjih deset godina sinonim za neprikosloveni brutalni techno zvuk – DAX J!

SRB: Zaista sam srećna što si danas sa nama, pošto smo se ranije već sreli i znam da si veliki umetnik, koji je osvojio svet svojim stilom, a opet, toliko si razuman. U ovom intervjuu, samo bih volela da se prisetimo dobrih starih vremena, jer mislim da nam je svima potrebna neka pozitiva u našim životima.

ENG: I’m really happy to have you today, for a talk, since i’ve met you before and i know that you are a great artist, who conquered the world with his own style, and yet, you are so down to earth. In this talk, i would just love to remember good old times, because i think we all need some positivity in our lives.

ENG: My first question is, how are you, what’s new, are you being busy now since the world started spining again after pandemic?

SRB: Moje prvo pitanje je, kako si, šta ima novo, da li si sada više zauzet pošto je svet ponovo počeo da se okreće nakon pandemije?

ENG: Yeah, everything is busy again, touring is very hard at the moment, I just came back from Detroit i also did a little tour in South America, but the schedule is full-on now, it’s just been go, go, go, non-top for the last couple of months. It’s good to be back on tour again it’s a nice change from the last two years, since the lockdown, but i’m just going with it and i’m happy to be back on touring.

SRB: – Da, sve je opet zauzeto, turneje su trenutno veoma teške, upravo sam se vratio iz Detroita, imao sam malu turneju po Južnoj Americi, ali sada je raspored popunjen, samo putovanje, putovanje i putovanje, non-top, u poslednjih nekoliko meseci. Dobro je ponovo se vratiti putovanjima, to je lepa promena u odnosu na poslednje dve godine, od izolacije, samo nastavljam gde sam stao i srećan sam što se vraćam putovanjima.

ENG: Your first gig at Serbia. Do you still remember it; could you refresh our memories?

SRB: Tvoj prvi nastup u Srbiji. Da li ga se još uvek sećaš, možeš li da nam osvežiš pamćenje?

ENG: Well, for sure, my first ever memory when it comes to partying in Serbia is a gig I did in 2009. at Exit Festival it was 10th anniversary of Exit Festival and i basically got the gig by sending a mix CD. I was already going to the festival with my friends, but than Exit announced that they were doing My Exit stage, and that stage was basically for anyone who wanted to submit a mix, the CD you send could have had a chance to win at that competition. So i was already going and i thought okay, that would be cool, trying to get a gig i’ve send my mix to them and than couple of weeks later i got an email saying “Yeah, we loved your mix, you can play on My Exit Stage” and I was like wow, i couldn’t believe that I will be playing at Exit festival, that’s was so cool! I imagined that i was gonna be playing at the Main stage, like huge stage, thousands of people, i told that my friends as well and they were like “Yeah, that’s gonna be insane” and than when we got there i got to that stage that was made of cardboard and it was little hahah, and it was like on a walk way, people just passing by that one, so my friend started laughing, it was a very strange stage, everything was made out of cardboard, even the lights, i’ve played for like 10 people maybe and half of them were my friends, so it is a funny memory.

SRB: Pa, sigurno, moje prvo sećanje kada su u pitanje žurke u Srbiji je nastup koju sam odradio 2009. godine na Exit festivalu, bila 10. godišnjica Exit festivala i u suštini sam dobio nastup slanjem miks CD-a. Već sam bio spreman da idem na festival sa prijateljima, ali onda je Exit najavio da rade My Exit stage, a ta bina je u osnovi bila za svakoga ko je želeo da pošalje miks, CD koji pošaljete mogao je da vam da šansu da pobedite na tom takmičenju. Pošto smo već išli na EXIT, pomislio sam, u redu, to bi bilo super. Pokušavajući da dobijem nastup, poslao sam im svoj miks i nekoliko nedelja kasnije dobio sam e-mail u kome je pisalo „Svideo nam se tvoj miks, možeš da nastupaš na My Exit Stage-u”. Bio sam oduševljen, nisam mogao da verujem da ću puštati na Exit festivalu, to je bilo tako kul! Zamišljao sam da ću svirati na glavnoj, ogromnoj bini, hiljade ljudi oko mene, kada sam rekao to i mojim prijateljima i oni su pomislili „Da, to će biti ludo!“. Kada smo stigli, moj prijatelj je odmah počeo da se smeje, došli smo do te male, veoma čudne bine, koja je bila napravljena od kartona hahah, sve je bilo napravljeno od kartona, pa čak i rasveta, ljudi su samo prolazili pored. Puštao sam za možda 10 ljudi, od kojih su polovina bili moji prijatelji, tako da to pamtim kao zabavno sećanje.

ENG: So, my best memory of you playing is 2017. at Exit Festival, you had a closing set that morning, that was like pure fire, it was specific for all of us, because you finished around 9 am and crowd was not ready to let you go, so we all shouted “One more track, one more track” and than the cop came started bothering and pulling you from decks but he finally gave up since he couldn’t deal with the crowd and that last track was Escape the System, do you remember that moment, how did you saw that with your own eyes, is that something that will be stuck in your head box of memories forever?

SRB: Moje najlepše sećanje na tebe je 2017-te godine na Exit festivalu, tog jutra si imao završni set, bilo je specifično za sve nas, jer si završio oko 9 ujutru i publika nije bila spremna da te pusti, pa smo svi vikali „Još jedna pesma, još jedna pesma “, a onda je policajac počeo da te gnjavi i vuče sa bine, ali je odustao pošto nije mogao da se nosi sa gomilom. Ta poslednja pesma bila je Escape the System, da li se sećaš tog trenutka, kako si to video svojim očima, da li je to nešto što će ti zauvek ostati u kutiji uspomena?

ENG: – Yeah I remember that gig and that year Exit festival, i remember it well. I remember i was looking down the crowd and seeing the big fortress wall on the right, i remember i was thinking like, wow, this is so epic, the location itself especially at that time of the morning when the sun is rising, you can see everyone, the crowd goes back so far and also the energy from the crowd was so good. That was my first return to Exit since that gig in 2009.
It was special actually, because of that moment that happened to me in 2009., but this time I was booked properly, you know, i didn’t have to send a mix or a CD ahaha.

SRB: – Da, sećam se te žurke i Exit festivala te godine, dobro se sećam. Sećam se da sam gledao niz gomilu i veliki zid od tvrđave sa desne strane, sećam se da sam pomislio, vau, ovo je fenomenalno, sama lokacija, posebno u to doba jutra kada je sunce diže, možete videti svakoga, publika ide u beskraj, a takođe je i energija bila tako dobra. To je bio moj prvi povratak na Exit od nastupa 2009-te godine.
Nastup je bio poseban, zbog tog trenutka koji mi se desio 2009. godine, ali ovaj put sam bio dobro bukiran, nisam morao da šaljem miks ili CD ahaha.

ENG: I remember listening to you after that in Amsterdam, 2019. on Amsterdam Dance Event. You were playing that night and yet you still found to talk with us. So i was wondering is interaction with ravers and crowd something that means to you, do you still love and enjoy beeing on the other side of decks, just being a raver?

SRB: Sećam se da sam te posle toga slušala u Amsterdamu, 2019. na Amsterdam Dance Event-u. Puštao si te noći, a ipak si našao vremena da popričaš sa nama. Pa me interesuje da li je interakcija sa rejverima i publikom nešto što ti znači, da li još uvek voliš i uživaš da budeš sa druge strane pulta, kao rejver?

ENG: – Yeah, of course, i love it! Because i started out as a raver myself, so i know what is like to be on the other side, it’s nice to have that perspective, i think some DJ and artists can be very fast in their carrer without even experiencing the dancefloor side. I came from the dancefloor i was on the other side of decks for years, before i started playing and touring and when i get a chance, it’s not often, but always, when i can i go to dancefloor, actually i always learn or pickup something by being on the dancefloor, i’m always like oh, i forgot about this one and forgot about this perspective of how it looks. I just came back from Detroit, i was there for two days, first day i wasn’t playing, so i went to the festival and went into the crowd at the dancefloor, it is good experience, because you forget sometimes what crowd sees and also when you experience it yourself, you can see what crowds view is, which we you DJing all the time you kinda forget and also certain tracks and music in generas sound much different on the dancefloor and in the DJ booth. So it’s nice to experience that sound on the dancefloor. The other day i was on the afterparty in Detroit and i remember i was on the dancefloor looking at DJ and i was thinking like this is how people see me when i play, it’s just nice to connect with people on the dancefloor, sometimes you take it for granted, what you doing, because you know you are doing it for every week and week after that, you can lose a bit of a perspective, so what i wanted to say, when i went on dancefloor that time, i’ve felt how special it was for the people on the dancefloor enjoying it, it kinda reminded me how special that moments can be, because when you play 3, 4 gigs a weeknd all the time, you forget that feeling you can lose that emotion and just go there, play your set, finish leave and that’s all. When you feel the connection yourself you are always like oh yeah, i remember these moments, that one is important and a responsibility comes with it.

SRB: – Da, naravno, obožavam to! Pošto sam i sam počeo kao rejver, znam kako je biti sa druge strane, lepo je imati tu perspektivu, mislim da neki DJ-evi i umetnici mogu biti veoma brzi u svojoj karijeri, a da čak i ne iskuse stranu plesnog podijuma. Došao sam sa podijuma za igru, bio sam na drugoj strani pulta godinama, pre nego što sam počeo da puštam i da putujem i kada imam priliku, to nije često, ali uvek, kada god imam priliku da budem na podijumu, uvek naučim nešto novo ili se setim nečega, uvek sam kao oh, zaboravio sam na ovo ili zaboravio kako izgleda ova perspektiva. Upravo sam se vratio iz Detroita, bio sam tamo dva dana, prvi dan nisam puštao, pa sam otišao na festival i ušao u publiku na plesnom podijumu, to je dobro iskustvo, jer ponekad zaboraviš šta publika vidi i takođe, kada to sami doživite, možete iskusiti kako publika vas vidi, što mi DJ-evi ponekad zaboravimo, a takođe određene trake i muzika u celini zvuče mnogo drugačije na podijumu za igru i iza DJ pulta. Zato je lepo doživeti taj zvuk na plesnom podijumu. Pre neki dan sam bio na afterparti-ju u Detroitu i sećam se da sam bio na plesnom podijumu i gledao DJ-a i razmišljao sam kako me ljudi vide kako puštam, jednostavno je lepo povezati se sa ljudima na plesnom podijumu, jer ponekad uzmeš zdravo za gotovo ono što radiš, jer znaš da to radiš svake nedelje i nedelje posle toga, možeš da izgubiš malo perspektive, ono što sam hteo da kažem je, kada sam tada izašao na podijum, osetio sam koliko je to posebno za ljude na podijumu koji uživaju, podsetilo me je koliko ti trenuci mogu biti posebni, jer kada imaš 3, 4 nastupa vikendom, zaboraviš taj osećaj, možeš da izgubiš tu emociju, samo odeš tamo, odradiš svoj set, završiš i odeš i to je sve. Kada i sami osetite tu konekciju, uvek ste kao O, da, sećam se ovih trenutaka. To je ono što je bitno i odgovornost dolazi sa tim.

ENG: In 2021. Exit Festival you played B2B with Kobosil, how did you guys decide to play together and is there someone else you would love to play B2B set with?

SRB: Na Exit festivalu 2021.puštao si B2B sa Kobosilom, kako ste odlučili da puštate zajedno i da li postoji neko sa kim bi volelo da puštaš B2B set?

ENG: Kobosil and I did a B2B set in 2019. In Munich for a club called MMA, it was a closing party, the club wanted something special for a closing party, so they asked us to do B2B. After the party, the video was uploaded on the internet, so they asked us to do B2B in 2020. on Exit, but because of the pandemic, that one was moved to 2021.

SRB: Kobosil i ja smo radili B2B set 2019. U Minhenu za klub koji se zove MMA, to je bila završna žurka, klub je želeo nešto posebno za završnu žurku, pa su od nas tražili da uradimo B2B. Posle žurke video je postavljen na internet, pa su tražili da radimo B2B i 2020. na Exitu, ali je zbog pandemije taj pomeren za 2021.

ENG: And is there someone else you would love to play B2B set?

SRB: I da li postoji neko sa kim bi voleo da puštaš B2B set?

Solomun, hahaha.

ENG: Sometimes, DJs play a lot on the same locations, same festivals or events, they just keep coming back because they felt good playing there and they are happy to be back, often feeling like home. When it comes to Serbia, especially during Exit Festival, do you feel like you are at home, does the crowd make you welcome and euphoric?

SRB: Ponekad di-džejevi više puta puštaju na istim lokacijama, istim festivalima ili događajima, vraćaju se stalno, jer se dobro osećaju kada puštaju tamo i rado se vraćaju na ista mesta, jer se osećaju kao kod kuće. Kada je Srbija u pitanju, posebno tokom Exit festivala, da li se osećaš kao kod kuće, da li te publika čini da se osećaš dobrodošlim i euforičnim?

ENG: Yeah, definitely. It’s always great to play in Serbia i had amazing gigs in Serbia, espacially at Exit Festival. I played recently in Drugstore, i really liked that location, the venue is very cool, so yeah, i definitely love to play in Serbia because the crowd is always so up for it, they are really receptive, really into that techno, they know the music, a very knowledgeable crowd, that’s always good, because you can tell sometimes you play your tracks or something rare and you still see people reacting to it, you see that they know it, it’s really nice to see that crowd knows the music so well.

SRB: Da, definitivno. Uvek je sjajno puštati u Srbiji, imao sam sjajne nastupe u Srbiji, posebno na Exit festivalu. Nedavno sam puštao u Drugstore-u, jako mi se dopala ta lokacija, mesto je jako kul, tako da, da, definitivno volim da sviram u Srbiji jer je publika uvek toliko raspoložena za to, oni su zaista prijemčivi, stvarno su u tom tehnu, poznaju muziku, veoma upućena publika, to je uvek dobro, jer ponekad možete puštati svoje pesme ili nešto retko i još uvek vidite ljude kako reaguju na to, vidite da oni to znaju, zaista je lepo videti da publika poznaje muziku tako dobro.

ENG: Exit Festival was one of your dreams come true, so let’s talk about places you didn’t play before, is there any place you would love to play and what is the reason why?

SRB: EXit festival je bio ostvarenje tvojih snova, pa hajde da pričamo o mestima na kojima nisi ranije puštao, da li postoji neko mesto na kome bi voleo da puštaš i zbog čega?

ENG: This is gonna sound like a joke, but it’s not, I would like to play in Space and that one will be possible, because space travel is getting cheaper and cheaper, I would love to stream a set from Space, that would be cool. I would probably to something really futuristic, like futuristic set. Personally i think someone would do that before the end of this decade, before 2030. It will be a thing, maybe i’ll be first, the first DJ that would play in Space.

SRB: Ovo će zvučati kao šala, ali nije, voleo bih da puštam u svemiru i to će biti moguće, jer su svemirska putovanja sve jeftinija i jeftinija, voleo bih da strimujem set iz svemira, to bi bilo kul. Verovatno bi bilo nešto stvarno futuristički, kao futuristički set. Lično mislim da bi to neko uradio pre kraja ove decenije, pre 2030. To će biti moguće, možda ću ja biti prvi DJ koji će puštati u svemiru.

ENG: When it comes to fans (for some reason I don’t like that word), what is the best memory you recall, did someone catch your attention or did something for you, that you still remember?

SRB: Kada su u pitanju fanovi (iz nekog razloga ne volim tu reč), koje je najbolje sećanje koje pamtiš, da li ti je neko privukao pažnju ili uradio nešto za tebe čega se još uvek sećaš?

ENG: I find it very heartwarming when people come to me after gig and tell me how far they travelled, that’s really big thing, i’ve met people that travelled so far away, just to see and listen to me. I remember once i did an all-night long set in London and i’ve met people that came from America, also recently, when i was in Budapest, one girl travelled 10 hours just for the party… So, it’s really nice to hear something like that, i really appreciate it and that’s showing how important the music is for some people and how much they appreciate what you doing, i take that very seriously and i always try to give my best performance.

SRB: Veoma mi je drago kada mi ljudi dođu posle nastupa i kažu mi koliko su daleko putovali, to je zaista velika stvar, upoznao sam ljude koji su putovali tako daleko, samo da bi me videli i čuli. Sećam se da sam jednom radio all-night set u Londonu i upoznao ljude koji su došli iz Amerike, takođe, nedavno, kada sam bio u Budimpešti, jedna devojka je putovala 10 sati samo zbog žurke… Tako da je zaista lepo da čujem tako nešto, zaista cenim to i to pokazuje koliko je muzika važna za neke ljude i koliko cene to što radiš, shvatam to veoma ozbiljno i uvek se trudim da dam sve od sebe.

ENG: I’ve read your interview with Keyi Magazine where you explained your New Year experience at club Drugstore here in Belgrade, you said you had an amazing time that night and that the space left a mark on you, is there any other club that left an impression on you like Drugstore did, do you think that space can create special energy for party and for you as an artist? Does the space inspire you?

SRB: Pročitala sam tvoj intervju za Keyi Magazine gde si objasnio svoje novogodišnje iskustvo u klubu Drugstore ovde u Beogradu, rekao si da si se divno proveo te noći i da je prostor ostavio utisak na tebe, postoji li još neki klub koji je ostavio utisak na tebe kao Drugstore, da li misliš da prostor može stvoriti posebnu energiju za zabavu i za tebe kao umetnika? Da li te prostor inspiriše?

ENG: There are few places, one for sure is Bassiani, i honestly think that this is the best club in the world! Bassiani really left a mark on me, it has perfect sound and the lighting is just amazing, it creates special energy, so because of that Bassiani has that uniquenes… The space is very important, it leaves a huge impression, for me as an artist and for ravers too. I remember when i used to go to raves as a kid, i loved to go to this big warehouse in London, i just loved that one.

SRB: Postoji par mesta, jedno od tih je sigurno Bassiani, iskreno mislim da je ovo najbolji klub na svetu! Bassiani je zaista ostavio utisak na mene, ima savršen zvuk i osvetljenje je prosto neverovatno, stvara posebnu energiju, tako da Bassiani ima tu posebnost… Prostor je veoma važan, ostavlja ogroman utisak, za mene kao umetnik i za rejvere takođe. Sećam se kada sam kao klinac išao na rejvove, voleo sam da izlazim u to veliko skladište u Londonu, jako sam voleo to mesto.

ENG: As kids, we all had our admirers in the music world, i know you loved Thomas P. Heckmann, but, who doesn’t? 😊 At the present time, who do you admire, is there some artist, who catches your attention?

SRB: Kao deca, svi smo imali svoje idole u svetu muzike, znam da si voleo Tomasa P. Heckmann-a, ali ko ga ne voli? 😊 Kome se sada diviš, da li postoji neki umetnik koji ti sada privlači pažnju?

ENG: Well, there are so many new artists that are really good, but i still love old artists as well. I love Umwelts sound and he’s on fire! I’m actually about to release new album from Umwelt on Monnom Black.  From newer artists i love LDS, who already had some EP’s on the label and now we are working on another one. He’s got a really original tough techno sound, like, super original i didn’t hear someone make a sound like that before. It’s very hard to find new artists, that are doing original sound like he does. Also, Fractions, they are doing some very cool stuff, like EBM techno, there is also Ryuji Takeuchi, i’m playing a lot of his tracks, he was so big in 90’s and he is always sending me good music, i loved his 2000’s groovy stuff, i’m always telling him to go back to that sound, that was so good, so he recently started sending me stuff like that, i’ve got some very good tracks from him and i think we’re gonna do an EP soon. Yeah, i love that mix of old and new sound.

SRB: Pa, ima toliko novih umetnika koji su zaista dobri, ali i dalje volim stare umetnike. Volim Umwelt-a, on je fenomenalan! Zapravo, spremam se da objavim njegov novi album na Monnom Black-u. Od novijih umetnika volim LDS-a, koji je već imao neke EP-ove na lejblu, a trenutno radimo na još jednom. Ima stvarno originalan, jak tehno zvuk, super originalan, nisam čuo da neko ranije pravi takav zvuk. Veoma je teško pronaći nove izvođače, koji rade originalan zvuk kao on. Takođe, Fractions, radi neke veoma kul stvari, kao što je EBM tehno, tu je i Ryuji Takeuchi, puštam dosta njegovih pesama, bio je tako veliki u 90-im i uvek mi šalje dobru muziku, voleo sam njegov groovy stil iz 2000-ih, uvek mu govorim da se vrati tom zvuku, to je bilo tako dobro, pa je nedavno počeo da mi šalje takve stvari, imam neke veoma dobre pesme od njega i mislim da ćemo uskoro uraditi EP. Volim tu mešavinu starog i novog zvuka.

ENG: Do you have some future plans when it comes to Monnom Black?

SRB: Kakvi su tvoji planovi u budućnosti kada je u pitanju Monnom Black?

ENG: Yeah, like i said, there will be an album from Umwelt, i have a new EP, also Fractions recently released an EP, there will be a lot happening on the label in the future, releasing more and faster, because, during the pandemic, i slowed it down a little bit, also there were massive vinyl delays, but now, i’ve kinda managed to get past all of that, so things are slowly picking up, so there will be probably about five releases on the label this year, which will be the most i’ve ever released in one year.

SRB: Da, kao što rekoh, biće album od Umvelt-a, imam novi EP, takođe Fractions su nedavno objavili EP, mnogo toga će se dešavati na lejblu u budućnosti, objavljivaćemo sve češće, jer, tokom pandemije, malo sam usporio, bilo je velikih kašnjenja u proizvodnji ploča, ali sada sam nekako uspeo da prevaziđem sve to, tako da se stvari polako popravljaju, verovatno će biti oko pet izdanja na lejblu ove godine, što će biti najviše što sam ikada objavio u jednoj godini.

ENG: Time changes us, specially because we have such a crazy time during the pandemic, it feels like we are all different than before, maybe, even smarter, just trying to be better versions of ourselves. We saw and heard Dax J at Exit before, what will be different this time in your music, what can we all expect from Dax J this year?

SRB: Vreme nas menja, posebno zato što smo proživeli tako ludo vreme tokom pandemije, čini se da smo svi drugačiji nego pre, možda, čak i pametniji, samo pokušavamo da budemo bolja verzija sebe. Već smo videli i čuli Dax J-a na Exitu, šta će ovoga puta biti drugačije u tvojoj muzici, šta svi možemo da očekujemo od Dax J-a ove godine?

ENG: Well, you can expect new and fresh selection, more cutting edge music, i’ll play a lot of unreleased and exclusive stuff, it will be a Dax J sound 2.0.

SRB: Pa, možete očekivati novu i svežiju selekciju, vrhunsku muziku, puštaću dosta neobjavljenih i ekskluzivnih traka, biće to Dax J 2.0. zvuk.

ENG: And last but not least, what are your expectations of Exit Festival this year, do you have any message for ravers who never listened to you before? Why should they definitely come to Exit this year?

SRB: I na kraju, poslednje, ali ne i manje važno, kakva su tvoja očekivanja od Exit festivala ove godine, imaš li neku poruku za rejvere koji te nikada ranije nisu slušali? Zašto bi ove godine obavezno trebali da dođu na Exit?

ENG: Actually, i’m really excited about it, because this will be the first summer when we go back to normal, i know Exit was last year also as well, but it wasn’t full capacity. Last time when i played on No Sleep stage was in 2017. I still remember the vibe of that stage, that was incredible and i think im closing that day, i’ll be playing during the sunrise like in 2017., so it’s gonna be 2017. Part 2. I have very fond memories of that stage, so i’m really up for it!

And message for people that never heard me before, and even if you did, is to come and experience a true sound of techno, which is, at the moment, kinda hard to find i would say, the true sound of techno is kinda lost right now, because there are so many people playing hard trance and all this super hard, fast techno, almost like hardstyle, gabber. There are a lot of different styles being mixed in, ofcourse, there is nothing wrong with that, but, i’m all about pure sound of techno, so i encourage people, who never experienced it, to come and listen true sound of techno, that’s what you will get from Dax J performance!

SRB: Zapravo, jako sam uzbuđen zbog toga, jer će ovo biti prvo leto kada se vraćamo u normalu, znam da je Exit bio i prošle godine, ali nije bio održan u punom kapacitetu. Poslednji put kada sam puštao na No Sleep bini bilo je 2017. Još uvek se sećam energije te bine, to je bilo neverovatno, mislim da zatvaram taj dan, puštaću tokom izlaska sunca kao 2017., tako da će biti 2017. Deo 2. Imam veoma lepa sećanja na tu binu, tako da sam zaista jedva čekam to!

I poruka za ljude koji me nikada ranije nisu čuli, pa čak i ako jeste, je da dođu i iskuse pravi zvuk tehna, koji je, u ovom trenutku, pomalo teško naći, rekao bih, pravi zvuk tehna je nekako izgubljen upravo sada, jer ima toliko ljudi koji puštaju hard trance, super tvrdi, brzi tehno, skoro kao hardstyle, gabber. Postoji mnogo različitih stilova koji se mešaju, naravno, nema ništa loše u tome, ali, ja sam za čist zvuk tehna, pa ohrabrujem ljude, koji to nikada nisu iskusili, da dođu i slušaju pravi zvuk tehna, to je ono što ćete dobiti od Dax J!

ENG: Thank you so much for your time and thank you for answering our questions, i hope you had fun at least!

SRB: Hvala ti puno na izdvojenom vremenu i hvala ti što si odgovarao na naša pitanja, nadam se da ti je bilo zabavno!

ENG: It was great, really nice interview, it was really nice to speak with you, i really enjoyed it! Thank you so much!

SRB: Bilo je sjajno, zaista lep intervju, i bilo je zaista lepo razgovarati sa tobom, uživao sam! Hvala ti puno!

Nadamo se da ste uživali u ovom sjajnom intervjuu sa Dax J-om, a mi se vidimo na Exit Festivalu!

INTERVJU RADILA: Stefana Lazović

Autor: Igor

Autor: Igor

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